An Essay on Amber Doll > Tilikum by Doll Husband and Synthetiks Advocate Davecat

Hawkswanson06
Tilikum Day Seven

If you've seen this SexTV Profile on my work (2008), you know that after completing the Feminism? Project – which involved imaging myself in provocatively sexual contexts during reenactments of a variety of women's definitions of feminism – I was lonely and seeking the companionship of a girlfriend but not yet out as queer. Surfing the Internet to find some kind of solution to my loneliness, I read about doll husband and synthetiks advocate Davecat in the Salon.com article "Just like a woman" and through it discovered an online forum maintained by a community of what others have termed ‘hetero-outsider men’ who own or desire life-like sex dolls, RealDolls made of a PVC skeleton and silicone flesh and penetrable in three orifices. Aware of my own failed attempts at dating real women (termed ‘organics’ on the forum), I felt an affinity with a subgroup of the community who described themselves as ‘doll husbands,’ and considered themselves partnered with their RealDolls. Inspired by the fulfillment they found in their relationships with what they termed ‘synthetics’ over ‘organics,’ I ordered a RealDoll of my own and later transformed her into Tilikum.

I am now proud to call Davecat my friend. Below is an essay he wrote about my work.

There are two types of people in the world: those who know of Amber Hawk Swanson, and those who don't. Yes yes, technically you could say that about anyone, but she's achieved something that, depending on how you view the concepts of Synthetik people and controversial art, could be seen either as fame, or as notoriety. Allow me to explain how I came to discover her.

On some evening back in 2007, I was sifting through the Internet on one of my typical searches for new pictures/information about Synthetiks, when I came across an article detailing a performance artist from Chicago, who had not only had a RealDoll made to look exactly like her, but had also married her affictitious twin as well. Her name was Amber Hawk Swanson, and appropriately enough, her silicone twin was named Amber Doll. AHS had worked in conjunction with Matt Krivicke, then at Abyss creations, in having a laser scan made of her face, which they attached to a RealDoll Body 8. To top it off, AHS and Amber Doll both had matching tattoos done on the insides of their left wrists, reading 'Bully' and 'Prey', respectively. Driving the effect home, the two had, as mentioned, been wedded in Organik/Synthetik bliss in a chapel in Las Vegas.

Now, as my own lovely wife of 10+ years, Sidore Kuroneko, is herself a RealDoll, needless to say, the story of the Ambers was something I found to be completely intriguing, and more than a little encouraging. Here was a lass who was clearly enthralled enough by the idea of Dolls that not only did she buy one, but she also married her. In addition, as AHS was an artist, she was following in the footsteps of a number of other artists throughout history that have figuratively and literally embraced the Synthetik, such as Hans Bellmer & his unnamed girls, Oskar Kokoschka & Alma-puppe, Jemima & Dolly Brown, and a few others besides. Obviously, I had to meet the Ambers.

After firing a few Emails at each other, AHS and I struck up a friendship based on common interest; no points for guessing what that was. She revealed to me that she'd read about the relationship that Sidore and I have on various articles posted on the Internet, and as she was in a place in her life where she was seeking companionship, she believed that having a Synthetik partner would be an idea worth pursuing. (The Missus and I do like to inspire people.) Although work prevented me from going, she had even invited me to attend the public reception of her wedding as well, which is an event I still regret missing. Months later, she agreed to attend one of the local get-togethers our particular tri-state iDollators periodically hold, affectionately referred to as Doll Congresses, so she could meet a handful of us in person and talk All Things Doll over starchy Italian food. There, she heard our stories first-hand as to why we have the Dolls we have in our lives, and what makes them special to us. We all left that evening having a pretty good understanding of each other! Unfortunately none of us could've brought our respective Dolls, which would've made the whole experience utterly phenomenal.

As I'd stated previously, Amber Hawk Swanson is a performance artist; since 2006, the majority of her projects had been informed by her own feminist approach, and the interplay of how men perceive women, and womens' subsequent behaviour, that has been going on since time immemorial. At the start, her own interaction with Amber Doll paralleled my own — in order to eliminate loneliness, she purchased a Doll for the purposes of a romantic partnership. But as time went on, Amber Doll became less of a lover to AHS, and more of a working partner in the form of a surrogate; AHS would present Amber Doll as a kind of stunt double for herself in positions that were loaded with potentially volatile behaviour. The locations ranged from the innocuous (their wedding reception) to the downright unwatchable (a tailgate party), and AHS's work was to observe how both men and women reacted to a beautiful, anatomically-correct artificial female that was unable to defend herself from lecherous and sometimes violent advances.

Before Abyss creations made the switch over to platinum-based silicone, pretty much all RealDolls built in that time period had tin-based silicone skin, and over time, unless treated carefully, that type of silicone tended to get extremely soft. Which, on the one hand, felt wonderful, but unfortunately, it meant her rubber flesh would be much more prone to tearing. As you suspected, that's what happened to Amber Doll. After a final holiday together at Disney World back in 2008, Amber Hawk Swanson held a funeral for Amber Doll, as her Synthetik bride was literally falling apart. AHS contacted me on a couple of occasions to see if there'd be any value in selling what was left of her, but Amber Doll would be charitably described as 'a fixer-upper', due to the ruined state she was in.

Months passed, then towards the end of 2010, she wrote me out of nowhere, telling me of her new project: she would take Amber Doll's body, and under Matt Krivicke's tutelage, take it apart, and reassemble it into a replica of Tilikum, the orca residing at SeaWorld best known for being a prime suspect in the deaths of three people. Admittedly, I was baffled, as I was thinking that AHS was somehow going to make a 1:1 scale replica of Tilikum from Amber Doll. Then I came to my senses. Surprisingly, upon completion, it did indeed resemble a bull orca! The ingenious idea of Dremeling Amber Doll’s skull into teeth for Tilikum alone impressed me more than it should have. I would make a comparison of Amber Doll to the proverbial phoenix here, but we’ll take it as read.

On a personal level, as not just an iDollator, but a husband to a Doll, admittedly it was difficult coming to terms with what AHS had put Amber Doll through, from the mishandling and molesting from strangers, to her dissection for the Tilikum project. The end result seemed really unfortunate, as Amber and Amber had found love in each other — in each other's reflection? — and Amber Doll was getting the shortest possible end of the stick. Dolls are, at the end of the day, merely things that are like Organik humans, yet not Organik humans, but without sounding too Velveteen Rabbit about it, they can have as much of a spirit as their owner imbues them with. But the relationship that Amber and Amber shared took it a step further than most iDollators with Synthetik spouses: I believe that the two of them were genuinely in love with each other at the start, but unfortunately, like a great many relationships, that love faded. Remember how I'd mentioned Oskar Kokoschka and Alma-puppe paragraphs ago? Over time, their love faded as well. Alma-puppe went from lover to artistic muse, much like Amber Doll. And, as Sidore herself pointed out, Amber Hawk Swanson fashioning a new work of art from the remains of her once-beloved Amber Doll is completely in line with the way that the ossuaries of Prague constructed fantastical decorations such as chandeliers and coats-of-arms from the bones of 14th century plague victims. She's a Goth; she would think of that.

Ultimately, where Amber Doll failed in her attempt to be a life partner, she succeeded in being an artistic muse, and it took Amber Hawk Swanson’s keen eye to recognise that. That’s definitely something to for both parties to be proud of.

More information on my performance Amber Doll > TIlikum can be found below:

While working on the final, thirty-hour, video piece (involving footage from five cameras) documenting Amber Doll > Tilikum, we pulled together the five minute excerpt above.

Performance: Amber Hawk Swanson
Tech Assistance + Magic + Support: Renato Velarde
Music: Occurrence

Amber Doll > Tilikum 5minute Excerpt

Amber Doll > Tilikum

Amber Hawk Swanson Interviews Matt Krivicke, Sinthetics

Tilikum Research Excerpts

Tilikum Transformation Tutorials + Drawing

BANNED ON USTREAM

Day Two, Streaming Videos

Amber Doll > Tilikum Profiled on Hyperallergic

Amber Doll > TIlikum Profiled on ANIMAL and Huffington Post

Day Three Streaming Videos

Amber Doll Project + Amber Doll > Tilikum Profiled on Flavorwire

Day Four Streaming Video

Day Five Streaming Videos

Day Six Streaming Videos

Days Seven / Eight Streaming Videos

TILIKUM

Before + After

Day Ten Streaming Video

Tilikum > Tilikum: illness + collapsed dorsal fin + missing / fractured teeth

amberhawkswanson.com

Amber Doll > Tilikum 5minute Excerpt

Amber Doll > Tilikum Project Statement (in progress)

Nakedtili
Tilikum Day Seven

I am forever in search of community. I join these communities, not as an artist, but as someone who wants to belong. The needs, identities, personalities, quirks, and outliers of each community become my obsession. Part of this obsession revolves around the performances of individuals belonging to the community and the reception and interpretation of these performances from outsiders. These communities shape my work, my perceptions, and myself; incidentally, they often lead me to new communities.

My performance and video,  Amber Doll >Tilikum, is a result of moving into and out of several different communities. For the piece, I transformed my identical, life-like sex doll into a replica of the bull orca, Tilikum, who lives in captivity at SeaWorld Orlando and has been involved in the deaths of three people. To create my replica of Tilikum, I assembled his anatomy from similar, either in look or function, parts from Amber Doll. She and Tilikum share a PVC skeletal structure, posable steel joints, styrofoam filler, silicone flesh, and eyes. Her belly button became his blow hole, her breasts and hands evolved into his tail, and I used part of her skull to create Tilikum’s broken teeth.

I conducted the ten-day, thirty-hour Amber Doll > Tilikum transformation alone in my studio, but broadcast every moment of it on my Livestream Channel  to an audience of thousands worldwide.The live audience viewer minutes watched totaled 33,100 in the US as well as: Armenia, China, Ecuador, Estonia, Germany, India, Israel, Korea, Oman, Peru, Turkey and Venezuela. I blogged, Facebooked, and Tweeted my progress, and relied on my viewers’ in-the-moment responses to carry me through the physically and emotionally difficult performance.

What is the link between a synthetic sex partner and an organic captive whale? And why Tilikum? These are the questions that I began to answer through the process of the transformation.

Amber Doll came to life after the unwanted sexual attention and objectification I received after completion of The Feminism? Project which involved imaging myself in provocatively sexual contexts during reenactments of a variety of women's definitions of feminism. After completing the project—lonely and seeking the companionship of a girlfriend but not yet out as queer—I discovered an online forum maintained by a community of primarily hetero-outsider men who own life-like sex dolls, RealDolls, made of a PVC skeleton and silicone flesh and penetrable in three ribbed orifices. Inspired by the fulfillment they found in their relationships with what they termed “synthetics” over “organics,” I ordered a RealDoll of my own. I acquired Amber Doll, herself a literal object, as a prop for my work and academic interests but also to become the companion I desired in my personal life. I abandoned Amber Doll at a number of venues, allowing the public to explore and interact—often violently—without interference. Amber Doll was able to act as a surrogate to my own experiences of objectification.

Two years later, while Amber Doll’s severely damaged body was hanging, alone, on a stand in my studio; I learned of Tilikum.

On February 24, 2010, Tilikum made headlines for killing Dawn Brancheau, a 40-year-old trainer with sixteen years of experience at SeaWorld. The trainer was dismembered following a popular “Dine with Shamu” show while twenty tourists looked on from above a whale tank and from an underwater viewing area. As I learned more about Tilikum, and orcas in captivity, the furtive violence inflicted on these intelligent mammals became apparent. Orcas thrive in communities; they spend the entirety of their lives within these tightly-knit families. Tilikum was captured in the wild, and removed from his community. The trauma and stress of this captivity have been documented in nearly all captive orcas, including Tilikum. Signs of stress include broken teeth, often from chewing on the metal bars of the enclosure, and collapsed dorsal fin, often accredited to the physical deterioration from lack of adequate space to swim. Tilikum’s body, much like that of Amber Doll’s, presents a physical manifestation of emotional trauma.

The story of Tilikum and his body as a spectacle shared remarkable similarities with my relationship with Amber Doll. By allowing others openly to explore and violate Amber Doll, I disrupted the social norms of public and private space. The deviance Tilikum performed through his body, by killing his trainer, was an act of defiance against those who objectify him. The trainer’s body becomes a spectacle that takes the attention away from his body—the focus is still on Tilikum—but he now owns a presence.

The idea of this shift from object to action and spectacle to presence gave Amber Doll new purpose. I no longer needed Amber Doll to be my object; I needed her to be an action. Through the action of her transformation I could give voice to Tilikum, and, begin to give presence to the community of the objectified.

Do you have suggestions on the above? New perspectives on my work you'd like to share with me? Write me, I'd like that. amber@amberhawkswanson.com

All That is Left of Amber Doll + Thank You / Credits

Two

All That is Left of Amber Doll, January 2012

Amber Doll > Tilikum would not have been possible without the following people + communities + organizations + companies:

Renato Velarde, all things video & stills + tech + support
Sarah English
, Hair Stylist + Makeup Artist + all around amazing
Travis LeRoy Southworth
, color correction + early/long-running inspiration
Jenyu Wang, stills
Colin Lyons, documentation + knew Amber Doll in the early days

All of My Loyal Whale Whatchers but espeically Sam Feder (with special thanks), Gwen Locke Lis, Bea Bosco, Elizabeth Axtman (The Love Renegade), Christa Holka, Man Bartlett, Davecat, Alex Fullerton, Kristin Lohr, Lacie GarnesLilly McElroy, All Members of The Henbane Collective, Susan Locke Ashman, Kate Fisher, Heather Chappell Lohr, Amy Miller, Coya Paz, Jennifer Valles, Michelle Johns, Nina Xoomsai, Linda Barba, Ali McDonald, Cara Thaxton, Ben DeLaCreme, Nako Okubo  Michael Waugh, John Criscitello, Megan M. Gallagher, Emily Joseph, Cassie Sampson, Mitchell Squire, Jared Haberer, Rosel Kim, Julie Casper Roth, Pamela-Cleo Goddard, Kristen Martilla, Ryan Flynn, Sean Graney

More information on my performance Amber Doll > TIlikum can be found here.

Amber Doll > Tilikum

Amber Hawk Swanson Interviews Matt Krivicke, Sinthetics

Tilikum Research Excerpts

Tilikum Transformation Tutorials + Drawing

BANNED ON USTREAM

Day Two, Streaming Videos

Amber Doll > Tilikum Profiled on Hyperallergic

Amber Doll > TIlikum Profiled on ANIMAL and Huffington Post

Day Three Streaming Videos

Amber Doll Project + Amber Doll > Tilikum Profiled on Flavorwire

Day Four Streaming Video

Day Five Streaming Videos

Day Six Streaming Videos

Days Seven / Eight Streaming Videos

TILIKUM

Before + After

Day Ten Streaming Video

Tilikum > Tilikum: illness + collapsed dorsal fin + missing / fractured teeth

amberhawkswanson.com

Tilikum > Tilikum: illness + collapsed dorsal fin + missing / fractured teeth

Tilikum2

Tilikum is ill. As Jeffrey Ventre, MD and John Jett, Ph.D, explain in Keto & Tilikum Express the Stress of Orca Captivity, Tilikum's broken and drilled teeth seed his blood stream with bacteria. If he were to unfortunately die, it would likely be from a type of sepsis or tissue infectionthe cause of death for Kalina, the “Original Baby Shamu” (the first killer whale born and raised in captivity at SeaWorld) who died of Bacterial Septicemia in October of 2010.

Now that I have transformed Amber Doll's severely damaged silicone flesh, PVC skeleton, and steel-infused joints into a small replica Tilikum, I'd like to point out two comparison details that reflect symptoms of stresses in orcas in captivity. (both reference Ventre and Jett's paper)

Dorsalfin

Left: Tilikum, Right: Amber Doll > Tilikum Days Seven / Eight

Collapsed Dorsal Fin
Quoting from Ventre and Jett's paper:
In the ocean, lateral torisonal, and compressive forces generated by moving water typically sculpt erect dorsal fins. It is known that in humans, healthy connective tissue and muscle and bone will adapt to loading by becoming stronger. In all likelihood, these collapsed dorsal fins are caused by increased hours of surface floating (or slow circle-swimming) and a removal of those forces. This process is accentuated in male orcas, whose fins grow much taller than females. Collapsed fins like those above, are very rare in the wild.

Teeth

Left: Tilikum's Jaw, Middle: Dremeling Amber Doll's Skull into Tilikum's Teeth (Day Ten), Right: Amber Doll > Tilikum Day Ten

Broken and Drilled Teeth
Quoting from Ventre and Jett's paper:
Captive orcas break their teeth or horizontal steel bars and concrete, sometimes exposing the pulp of the tooth. This pulp is drilled out via modified "pulpotomy." Subsequently, the animals require lifelong daily teeth flushings to combat food plugging, as these open holes are a direct route for bacteria to enter the bloodstream. The  prevalence of broken teeth increases with age. Tilikum has lost the majority of teeth on the lower jaw. The decimated jaws of captive orcas are a carefully managed topic from a public relations standpoint, with tooth flushing explained to visitors as "superior dental care."

On Day Six of Amber Doll > Tilikum I spoke with Jeffrey Ventre, former Senior Trainer at Shamu Stadium (1987-1995) and Samantha Berg, also a former Sea World Trainer (1990-93) who was working at Shamu Stadium the day Tilikum arrived at SeaWorld Orlando. Links to the resources and projects they kindly mentioned during our Skyped conversation are below (in order mentioned). Video of our conversation is embedded below (from the Amber Doll > Tilikum album on Vimeo). A higher quality version will be available soon.

 

More information on my performance Amber Doll > TIlikum can be found here.

Amber Doll > Tilikum

Amber Hawk Swanson Interviews Matt Krivicke, Sinthetics

Tilikum Research Excerpts

Tilikum Transformation Tutorials + Drawing

BANNED ON USTREAM

Day Two, Streaming Videos

Amber Doll > Tilikum Profiled on Hyperallergic

Amber Doll > TIlikum Profiled on ANIMAL and Huffington Post

Day Three Streaming Videos

Amber Doll Project + Amber Doll > Tilikum Profiled on Flavorwire

Day Four Streaming Video

Day Five Streaming Videos

Day Six Streaming Videos

Days Seven / Eight Streaming Videos

TILIKUM

Before + After

Day Ten Streaming Video

amberhawkswanson.com

Day Ten Streaming Videos

Dayten

Day Ten involved dremeling Tilikum's fractured teeth out of Amber Doll's skull and painting his flesh black and white. (Read why many of Tilikum's teeth are missing or fractured here.)

I photographed several steps of the process on my iPhone.

After last Sunday's ban on Ustream, I have lasted nine days on Livestream. Both streaming clips from Day Ten are below (also on Vimeo):

More information on my performance Amber Doll > TIlikum can be found here.

Amber Doll > Tilikum

Amber Hawk Swanson Interviews Matt Krivicke, Sinthetics

Tilikum Research Excerpts

Tilikum Transformation Tutorials + Drawing

BANNED ON USTREAM

Day Two, Streaming Videos

Amber Doll > Tilikum Profiled on Hyperallergic

Amber Doll > TIlikum Profiled on ANIMAL and Huffington Post

Day Three Streaming Videos

Amber Doll Project + Amber Doll > Tilikum Profiled on Flavorwire

Day Four Streaming Video

Day Five Streaming Videos

Day Six Streaming Videos

Days Seven / Eight Streaming Videos

TILIKUM

Before + After

amberhawkswanson.com

Before + After

Days Seven / Eight Streaming Videos

Dayseven
After some early morning preparations, Day Seven began at 11am on Saturday morning and ended well into Day Eight at 6am on Sunday morning. In the nineteen hours I worked, I continued to adhere parts of Amber Doll's "breadbowled" damaged flesh onto Tilikum's skeleton (made from Amber Doll's) and the foam filler I created in his shape (made up of Amber Doll's chest cavity, thighs, arms, and calves).

Dayeight
As Tilikum began to take form, I adhered Amber Doll's skin to the silicone flesh I had alredy adhered to the skeleton / foam filler.

I photographed several steps of the process on my iPhone.

***THE FINALE will be Livestreamed: Tuesday, December 20, 2011 at 7pm cst. I'll be painting Tilikum and creating his teeth by dremeling them out of Amber Doll's skull).***

Please help me spread the word. Below is a FB/Twitter-ready post:

THE FINALE will be 'd: TUESDAY at 7pm cst. See Tilikum come to life! http://bit.ly/rF6UIq

After Sunday's ban on Ustream, I have lasted six days on Livestream. All five streaming clips from Days Seven / Eight are below (also on Vimeo):

More information on my performance Amber Doll > TIlikum can be found here.

Amber Doll > Tilikum

Amber Hawk Swanson Interviews Matt Krivicke, Sinthetics

Tilikum Research Excerpts

Tilikum Transformation Tutorials + Drawing

BANNED ON USTREAM

Day Two, Streaming Videos

Amber Doll > Tilikum Profiled on Hyperallergic

Amber Doll > TIlikum Profiled on ANIMAL and Huffington Post

Day Three Streaming Videos

Amber Doll Project + Amber Doll > Tilikum Profiled on Flavorwire

Day Four Streaming Video

Day Five Streaming Videos

Day Six Streaming Videos

TILIKUM

amberhawkswanson.com

TILIKUM

Final

I transformed Amber Doll's severely damaged silicone flesh, PVC skeleton, and steel-infused joints into a small replica of the bull orca, Tilikum, who lives in captivity at SeaWorld Orlando and has been involved in the deaths of three people.

A post that includes embedded videos for Day Seven will follow, as will a follow-up performance involving my painting my TIlikum replica and adding his teeth.

 

 

Day Six Streaming Videos

Daysix

Today I continued to use Amber Doll's damaged PVC skeleton to finish Tilikum's skeleton. I adhered pieces of the the foam filler that made up her cheast cavity, thighs, arms, and calves to the skeleton to start fleshing out the shape of Tilikum. I then began to adhere pieces of her silicone to the foam filler—all on my doll disassembly/whale assembly table. After Sunday's ban on Ustream, I have lasted five days on Livestream. All four streaming clips are below (also on Vimeo):

At 2pm cst Jeffrey Ventre MD, former Senior Trainer at Shamu Stadium (1987-1995) Skyped in to Amber Doll > Tilikum. Ventre is co-author of of the critical paper Keto and Tilikum Express the Stress of Orca Captivity (along with John S. Jett, Visiting Research Professor at Stetson University). Jeffrey Ventre worked with Tilikum during 1994-95 and now takes an evidence-based approach to marine mammal activism.

At 2:30pm cst Samantha Berg, also a former Sea World Trainer (1990-93) joined the conversation. Berg was working at Shamu Stadium the day Tilikum arrived at SeaWorld Orlando after he was moved from SeaLand of the Pacific (Victoria Canada) where he was involved in the death of trainer, Keltie Byrne. Berg is now an acupuncturist and the owner of an acupuncture center in Palmer, Alaska.

I have a great number of links to post following-up on the conversation and will do so on Sunday. In the meantime, I have posted just a few below today's streaming videos. (The first hour of streamed video was not recorded but I am shooting with five cameras so a long-form edited version of the performance will be available for exhibition soon.)

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Skyping with Jeffrey Ventre and Samantha Berg


Links following-up on my conversation with Jeffrey Ventre and Samantha Berg:
Dorsal Fin Collapse in Killer Whale Explained

Voice of the Orcas

Death at SeaWorld

Former Trainer Says Killer Whale Captivity Causes Attacks

More information on my performance Amber Doll > TIlikum can be found here.

Amber Doll > Tilikum

Amber Hawk Swanson Interviews Matt Krivicke, Sinthetics

Tilikum Research Excerpts

Tilikum Transformation Tutorials + Drawing

BANNED ON USTREAM

Day Two, Streaming Videos

Amber Doll > Tilikum Profiled on Hyperallergic

Amber Doll > TIlikum Profiled on ANIMAL and Huffington Post

Day Three Streaming Videos

Amber Doll Project + Amber Doll > Tilikum Profiled on Flavorwire

Day Four Streaming Video

Day Five Streaming Videos

amberhawkswanson.com